Bertha's
734 S. Broadway
Fells Point
Baltimore, MD
Glenn Moomau is the best gigging harp player in the area and I work with him every opportunity I get.
Drama from this gig centered around my amp. With Idle, I usually use a '66 212 Fender Pro Reverb. This amp is my most valuable possession. But, it's too loud for a traditional blues combo, especially in a room this small. So, I was wondering around MD a month or two ago and stopped into
Garrett Park Guitars in Annapolis-ish. Aside from being a vanilla music store that gives lessons, it had a couple funky, old amps lying around and I found a '60's era Harmony (yay!) amp with a new pine cab. At $225, I never expected to use it for anything, but turns out it works really well for this kind of thing.
Used it a couple times; it's a little dry, but it gets the job done at half the wattage of my Pro. Putting it into my car a while ago, I bent the fuse holder. I took it apart and, despite not being an electronic whizz, I figured I could go to Radio Shack, dust off my soldering iron, and make it happen. Long story longer, I did, but when I was putting it back together, I neglected to reconnect the speaker. Result: blown power tube. Moral: ALWAYS connect a tube amp to a speaker load. After regular Friday practice with Pessimist, I ran to
Chuck's, found a matched set of 6V6's, popped 'em in, made the gig with 15 minutes to spare. Incidentally, can someone tell me why power tubes need to be matched and why the amp needs to be biased? Glenn advised me I didn't have to bias, so I didn't.
Played a tight gig to an unusually small crowd. Glenn did a
Bharat-worthy "Rocker". Experimented with responsible use of Jagermesiter (I remembered going to bed!), peeped
OMB at Cat's Eye, made the grueling 0.9 mile commute home, watched a My Name Is Earl, and passed out.
Next: Tomorrow w/ IA at Blue Dog in La Plata, MD